From mboxrd@z Thu Jan 1 00:00:00 1970 From: Steven Arntson Subject: more from org-babel newbie Date: Mon, 28 Apr 2014 18:22:45 -0700 Message-ID: <87bnvl9bfe.fsf@stevenarntson.com> Mime-Version: 1.0 Content-Type: text/plain Return-path: Received: from eggs.gnu.org ([2001:4830:134:3::10]:60903) by lists.gnu.org with esmtp (Exim 4.71) (envelope-from ) id 1WewlM-0004eZ-CE for emacs-orgmode@gnu.org; Mon, 28 Apr 2014 21:23:19 -0400 Received: from Debian-exim by eggs.gnu.org with spam-scanned (Exim 4.71) (envelope-from ) id 1WewlC-0002ve-BX for emacs-orgmode@gnu.org; Mon, 28 Apr 2014 21:23:12 -0400 Received: from plane.gmane.org ([80.91.229.3]:35345) by eggs.gnu.org with esmtp (Exim 4.71) (envelope-from ) id 1WewlC-0002vV-5A for emacs-orgmode@gnu.org; Mon, 28 Apr 2014 21:23:02 -0400 Received: from list by plane.gmane.org with local (Exim 4.69) (envelope-from ) id 1WewlA-0007xt-GN for emacs-orgmode@gnu.org; Tue, 29 Apr 2014 03:23:00 +0200 Received: from 75-165-123-102.tukw.qwest.net ([75.165.123.102]) by main.gmane.org with esmtp (Gmexim 0.1 (Debian)) id 1AlnuQ-0007hv-00 for ; Tue, 29 Apr 2014 03:23:00 +0200 Received: from steven by 75-165-123-102.tukw.qwest.net with local (Gmexim 0.1 (Debian)) id 1AlnuQ-0007hv-00 for ; Tue, 29 Apr 2014 03:23:00 +0200 List-Id: "General discussions about Org-mode." List-Unsubscribe: , List-Archive: List-Post: List-Help: List-Subscribe: , Errors-To: emacs-orgmode-bounces+geo-emacs-orgmode=m.gmane.org@gnu.org Sender: emacs-orgmode-bounces+geo-emacs-orgmode=m.gmane.org@gnu.org To: emacs-orgmode@gnu.org I'm trying to get going with org-babel and lilypond music markup. I have the system basically functioning, but there's an elementary issue I can't seem to wrap my brain around. The reason I'm excited to use org with lilypond files is the foldable headers *, **, *** etc, as well as drawers and tables. However, that's available only in an "org-mode" buffer, and I'm also wanting to use lilypond-mode, which gives excellent colored markup and indentation. How do I get the advantages of both? Or is that not even what I should be after? I may be fundamentally missing what's potentially useful about all of this for my musical use case! Thank you, Steven Arntson